


‘Nobu’ Review: A Glowing and Straightforward Portrait of the Japanese Chef and His Empire
September 9, 2024


‘Wolfs’ Review: Brad Pitt and George Clooney Reunite for a Cunning Caper That Never Takes Itself Too Seriously — Sometimes to a Fault
September 11, 2024The latest by director Gianni Amelio stars Alessandro Borghi and Gabriel Montesi as physicians with opposing views on their duties to injured soldiers and the battle they’re fighting.
Battleground
Never rises above its intriguing subject matter.
The war is far away, but ever so close, in Battleground (Campo di Battaglia), director Gianni Amelio’s sober study of doctors treating wounded soldiers in Italy as World War I comes to a close. Reducing the conflict to a chamber piece where a trio of former medical students clash over the moral repercussions of their duties, the film raises some interesting and altogether timely questions, but never builds into a powerful drama.
The patients triaged and treated by a pair of dedicated military doctors with opposing moral viewpoints. On one side is Captain Stefano (Gabriel Montesi), the well-connected son of a powerful family who believes his duty is to aid the war effort by sending soldiers back to battle as soon as possible. And on the other side there’s Lieutenant Giulio (Alessandro Borghi), who’s from a modest background and clearly more compassionate. Unbeknownst to the medical staff, he secretly assists the already wounded by injuring them further, blinding them or amputating body parts so they can avoid redeployment.
The rote scripting and direction undercut what could have been a more potent study of WWI’s innumerable victims, a few of whom feature prominently in the early stages of the film. In fact, some of the young men, who hail from Sicily and other impoverished parts of Italy, are livelier and more fascinating than the two stiff physicians, who are so buttoned-up that they’re rather dull to watch.
Amelio made some good movies in the ’90s, including The Stolen Children and Lamerica, but his latest has the whiff of a well-intentioned telefilm. The lensing feels generally flat and the tension never rises above a low boil, even if the dilemmas faced by the doctors — caught between duty and humanitarianism, between saving a life and mutilating a live body to do so — are certainly intriguing.
It’s during the last act that Battleground takes on a different resonance, when the first victims of the 1918 Spanish flu begin to arrive at the hospital with severe coughs and fever. Soon, the young aren’t dying from gunshots and mortar fire, but from a disease that’s spiraling out of control. The doctors and nurses all start wearing masks, and you don’t need a booster of the Modena or Pfizer vaccine to be reminded of the recent pandemic.