Takayuki Hayashi’s debut feature revolves around three troubled souls and the aftermath of a kidnapping.

Receiving its world premiere at the Oldenburg International Film Festival, From Dawn Till Noon on the Sea proves a quietly unnerving and ultimately uplifting drama marked by its visual beauty and narrative restraint. This tale of three troubled souls reveals Japanese filmmaker Takayuki Hayashi to be an impressive talent with his feature directorial-screenwriting debut, which should garner attention on the festival circuit and merits international arthouse exposure.

Returning to school, Mai keeps to herself, mostly ignored by her fellow students who gossip about how they think she slept with her captor for money. She remains silent even when a few female classmates offer to help her with anything she might need. In her isolation, she finds herself drawn only to Ujie (a charismatic Yu Uemura), a disaffected, bullied student, who, when first seen, is being viciously criticized by his teammates for causing them to lose a baseball game by getting into a fight. He frequently acts out, overtly goofing off in class and talking back to his teacher.  

Interspersed throughout the film are numerous flashbacks depicting Mai’s time with her captor (Kaito Yoshimura), who seems to mean her no harm and appears to be suffering from severe depression. Sounding like a character in an Ingmar Bergman film, he somberly tells her, “I’ve lost all hope for the world. No purpose, nor meaning. It’s just an enormous machine that moves like clockwork. And we’re forced to be part of it with no explanation whatsoever until we die.” Despite his despondency, it becomes clear that she was clearly not physically or sexually abused by him during her time in confinement, which ends in unpredictable fashion.

Eliciting powerful performances from his three lead actors, Hayashi employs measured pacing and elegantly composed visuals to create a hauntingly spare, poetical effect. As might be guessed from the title, the sea emerges as a visual touchstone throughout the somber proceedings, eventually serving as the setting for a climactic scene that ends the film on a deeply moving grace note of redemption for each of its troubled characters.